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Posts Tagged ‘painting’

Adding “flesh” to the steampunk deer head

05 Apr

Now that provisions for the antlers are in place, I can start to “flesh out” the deer head. I began by filling the void areas in the wooden armature with wads of newspaper, then going over that with rolled newspaper, which I fl;attened out a bit and trimmed to fit. I taped those pieces in place with masking tape and kept building on that until the desired shape was reached, reffering often to several different photos I’d printed from the net.

Adding "flesh" to the deer head

Adding “flesh” to the deer head

More layering….

A more smoothed out look

A more smoothed out look

Once I had the basic shape I wanted, I decided to spray the “copper” antler so I didn’t have to be careful with where the paint went. I knew I’d be covering the newspaper later.

Copper sprayed antler

Copper sprayed antler

The “real” antler will wait until I start adding the actual mâché to the deer head. But for next time, I’ll add detail to the face and that will include providing a base for the eyes, both “real” and cyborg…

Don’t miss it!

 

 

 

Adding the stabilizer fins

07 Feb

In building the stabilizer fins for the steampunk diarama airship, I first had to choose a shape. On other ships, I’ve made them rounded, but I like the feeling of a scalloped fin. I’ve also made different scalloped fins before, with some being a solid fin with ribs and others having a support structure, to which was attached actual cloth sailcloth. For this small zeppelin, I decided on the former for its ease at this relatively small scale. This decided shape I then cut out of an index card stock I had lying around. To give them age and interest, I sponged them with a light brown watercolor (not pictured, sorry!)

Index stock fins cut out

Index stock fins cut out

I then had to make the ribs, and to make it simple, yet appealing, I decided to cut these out of a similar stock, but in this case, since they would be painted anyway, I decided to use cereal box cardboard and then paint them to contrast and have interest. Remember, I throw nothing away that may have a raw materials use when reused, repurposed or recycled!

Fin ribs cut from cereal box cardboard

Fin ribs cut from cereal box cardboard

I painted them by spraying a basic green enamel. I did this because a water-based paint would have been repelled by the coating on the cereal box. I then antiqued a patina on with a lighter water-based green acrylic, then applied to the fins.

Finished fins

Finished fins

After finishing the fins, I glued them at top and lower angled positions to the airship body with standard white glue and let them dry. To add another element of interest, I used dimensional paint to “dot” copper rivets on the fin ribs. I forgot to mention that I had done this to the propeller scaffolding as well. (How many of you noticed that?) So here’s the finished attachment…

Attached fins

Attached fins

Next time, I’ll show the process of building the gondola. It’ll be fun too, because it isn’t your run-of-the-mill boat shape!

Stay tuned…in fact, tell all your ‘punk friends to subscribe!

 

Airship nose and propeller shaft

24 Jan

I need to put a nose and tail cone on the diarama airship, so I used the same technique I use for my airship kits, which is to sart with a cut circle of card stock (I use old file folders). I then punch a hole in the center with a standard paper punch and with scissors, I cut about a quarter of the circle away. This then gets formed into a funnel shape, then glued with white glue. To make the nose spire, I used a painted wooden golf tee and pushed that through the nose cone, then attached it. The tail cone was made in the same way, but required a different structure beyond that because the tail also holds the scaffolding for the propeller.

Nose and tail cones in place

Nose and tail cones in place

Next, I constructed the scaffolding for the propeller by cutting strips of cereal box cardboard, then gluing them into the appropriate shape. (Can you tell that I never throw away anything that might have an artistic use?!). When dry, they were sprayed with copper paint and antiqued with green acrylic paint, (seen in next photo).

Propeller scaffolding

Propeller scaffolding

A piece of repurposed plastic tube that used to be the guts of a click-type ball point pen serves as the propeller shaft when painted and attached to the tail cone of the airship. The scaffolding is then attached to the shaft and the sides of the airship body. White glue works fine for most pieces.

Scaffolding attached to the airship

Scaffolding attached to the airship

Next time, I’ll show how to build a cool propeller for the zeppelin out of simple repurposed objects. Reusing and recycling can be easy and fun. Try some of these techniques to start a project with your kids. It’s a great way to find common ground with a teenager!

 

 

 

The eyes have it!

03 Mar

Have you ever paid any attention to a giraffe’s eyes? They are very large, beautiful and protruding and it’s amazing how long their eyelashes are. In order to make this piece as life-like as possible, I wanted to give the eyes all the realism I could. That started with giving them a bright, shiny clear coat. I think you’ll agree that the gloss makes them look very alive.

Bright, shiny eyes add life!

Eyelashes and eyebrows complete the look and add further realism. Now Walter looks like he could reach out and grab that cracker you’re holding!

No mascara needed!

These eyelashes were just cut from a black piece of paper using little detail scissors, then gently curled a bit using the old technique we’ve all used on ribbon; dragging one side along the sharp edge of the scissors.

Next, I’ll talk about the base of the giraffe and how I mounted it on the wall, so stay tuned!

Have you created any animals in art that you’d like to share?

 

Filling in the pattern

11 Feb

Now I start painting in the spot pattern on the sides of the giraffe. Remember that I kind of arbitrarily chose my own pattern based on what I’d researched as well as what I thought looked good.

Face spots

Some interesting details are how the inside of the ears look painted. I had to go really dark inside, then blend my way lighter as I came out iof the ear. When I applied the latex caulk, I had tried to comb it in such a way that it looked like the fur was oriented linearly coming out of the ear. Once the paint was applied, it had a very pleasing, natural look.

Ear canal details

Backing away, you can see how the pattering for the rest of the whole side looks. I think it has a pretty natural feel and I like the reddish tint that the spots have. All in all, I think the effect is quite pleasing.

Side patterning

My kids thought these colors looked good on the side too, but I asked them what they thought of the idea of making the spots multi-colored! Oh well, maybe I’ll do that if I do another one.

Next time I’ll show some details on the face. These details really add the final touches to the look and realism of the giraffe. What have you noticed that is cool about a giraffe’s eyes?

 

Bringing the giraffe to life

11 Feb

Last post, I showed you what the wall mount looked like. Now I’m going back to the giraffe and beginning the final painting. Putting color over the “fur” texture I showed you awhile back is going to really give the giraffe a lot of realism.

Realism of a glossy painted eye!

You see how painting the eyes and giving them a gloss also breathes life into an inanimate object. You almost expect the giraffe to turn to you for a carrot!

Face painting!

After the eyes, I started adding the color to the top of the face and around the eyes. I looked at a lot of reference to get the color of the spots correct and also the pattern, and you know what I discovered? There is a huge amount of variability in the pattern and even the color of the spots on a giraffe. Spot color ranges from tan to more orange while the light color behind the spots could be nearly white to a creamy tan. The shape varied from rounded trapezoids to very irregular starry shapes with light veins or star bursts within them. I finally decided to make up my own pattern by picking shapes and colors that I liked, was aesthetically pleasing and I felt in harmony with.

Top of face and nostrils

Next time I’m going to show the side painting. What patterns have you noticed in giraffes?

 

Accent ribbing

02 Mar

Last post, I talked about doing a patina on the new airship, including the copper accents on the ridges. I decided to add rivets, then apply a heavier green patina to them and the results are…well, fantastic!

Rivets and patina added

Below is a bit closer look to show the details.

Rivet and patina detail

In keeping with my tradition of using stuff that is just sitting around or was going to be thrown away, these accent stripes are nothing more than cloth coach tape, painted with copper paint, cut into strips and patina painted with green paint. The rivets are just puffy paint, applied in dots. MAGIC!

The next step will be to start adding some external elements. (I know…I said that last time, but an artist DOES change things on the fly if need be!).

What ideas do you have for details? Let me know!